I judge books by their covers

“Don’t judge a book by it’s cover.” If I had a nickle for every time during my childhood my mother said that, I would have a metric ton of nickles. At the time, I didn’t. To be completely honest, I didn’t judge books at all. If I could get my hands on them, I read them. I distinctly remember the moment that I realized books weren’t always great. I had been binge reading Nancy Drew. This was the point I noticed that in the last 3 books, she had received early birthday presents from her father twice. Both were large, extravagant gifts for her 18th birthday, and the catalyst for her adventure that book. It was at this point I realized all the books were inherently the same. I *saw* the formula.

Needless to say, it *quite* ruined a LARGE number of books for me. I couldn’t read Nancy Drew anymore, because it felt so similar. I couldn’t read Goosebumps, Sweet Valley Twins and Friends, even Boxcar Children, all of my favorite childhood books, fallen to the wayside. I began to gravitate towards books like Goblins in the Castle, The Westing Game, and other such titles that fell outside the realm of serial books.

This was the point where I became a “book snob”. I didn’t just want books that were enjoyable. I wanted books that were worth my time. This didn’t mean the book needed to be academic or even critically acclaimed, but rather that I found the author good and the book had quality writing. It also caused my secondary reading quirk where I want to read something good, but because I don’t trust a book to be good any more, I re-read something I *know* I like already. I get stuck in these cycles of endlessly re-reading books I have already read.

What does one do in this instance? I tried asking friends. Six books worth of Sword of Truth and half of Game of Thrones later, I have discovered this is not necessarily the best course. (To be fair, at least Sword of Truth *started* off well.) I am aware of the cyclical nature of this problem. Every time I try to branch out to a new book, I discover a *terrible* book and am further convinced that the target I am attempting to find is heavily obscured.

So I started judging books by their covers.

Karen Miller, author of the Godspeaker trilogy, has superb covers. The first, called Empress, has dark and sullen looking girl on the front. Reading the blurb on the back identifies this girl as the main character. Born into poverty, sold as a slave, she would eventually become the titular Empress. The other two books in the series were equally lovely. They didn’t fit the high fantasy norm. So I purchased it and read it.

I have never loved and hated a book more. Empress, and the two other books, are among the most wonderfully written books I have ever read. With the absolute worst story. The main character, the sullen girl Hekat, starts off great, but then turns into this arrogant self centered b*tch who makes up her own rules as she goes, and even the jealous “divine” in the book allows to her just do whatever, despite handing down swift and vicious justice to anyone else who even toes the line. By the end of Empress I was completely convinced that this was the worst book I had ever read, if well written. I am known for hating books that kill off characters I like, and yet, I realized that the entire cast could be wiped out and I wouldn’t shed a single tear. Hateful little snots, all of them. But Miller was just good enough to keep me reading. By the end of the series, I had at least found a few characters to like, and read with glee as a few of the more hated characters received their just desserts. The cover had proven true. The story was bleak and arid, with bright spots of color. In addition, the description on the backs were spot on for the books.

To break away from Fantasy a bit, if one looks at Romance books, you will tend to find all the covers are *abysmal*. with few exceptions (just like the books!). Ironically Julia Quinn (previously mentioned) has very nice, very plain covers. (No bare chested men here.) She doesn’t need the titillation to drive readers to her book, she knows she will get them on her own. They pick up one and the next thing you know they have bought them all.

Now, when picking over a book and trying to decide what to read, I try to decide based on friend’s input, in addition to the cover. Does it mention “prophecy” on the back (ie does the writer use a generic convention to make their story “work”)? Does it have one of those poorly drawn fantasy images of a woman in a metal bikini? There is nothing worse than a leftover 80s image of some bad science fiction image to push me away.

This can lead to good finds (Karen Miller) and bad finds (Brent Weeks, I so wanted you to be good) and completely missed finds (Girl with the Dragon Tattoo, currently my next possibility for a good book, but man could you *have* a more boring cover???). I also have learned that brand loyalty, while not always positive, can lead to good finds (Brandon Sanderson by virtue of Robert Jordan.) I tend not to trust Amazon reviews (they hate McKiernan, so I ignore them for the most part) and will at least give friend reviews a bit of a look. I find sites that promise to lead one to good fantasy dubious at best (anyone notice how they rant on derivative work but then all their top favorites are *exactly* that?) I find it utterly hilarious that the go to phrase when I ask people why they like Game of Thrones is “No one is safe! He kills off major characters all the time!” Yes, so does Whedon and it ticks me off when does it too. I do understand the “gritty realism” as a logical reason for liking it, but this is the point where I always look at the person and say “So, you read fantasy for it’s realism?” Although, as an interesting point to the topic, Game of Thrones has a very dull cover on the commonly sold copy that is seen in most bookstores now, but even the old one was fairly plain by say Wheel of Time standards (maybe the gritty realism coming back?). I want Tolkien, only with a better editor, more compelling characters, and better action. Call it derivative if you want, but there is a REASON the man spawned an entire genre.

Despite judging a book by it’s cover, it seems to lead to just as many successes as failures. And less hurt feelings when a person says “Read this you’ll LOVE it.” I read. And then I am like, seriously? And you make fun of *my* Wheel of Time?

I know the truth is I am just as unlikely to find a good book based on it’s cover as any other criteria. At least with the cover I can blame clever marketing instead of feeling the depression that a majority of the world has absolutely terrible tastes in books.

Store Exclusive Bonus Items

They are incredibly common now. Pre-order X game from X store and get X bonus. It is a logical extension from the 80s and 90s of Sold only at this store. The idea is, if said store is the only one that carries the product, it drives you to go to that store to buy the product. Then, once you buy the product you buy a few other things while there as well. The store gets higher sales and you might come back later. It makes it worth it for the store to bribe the manufacturer to only sell it in said store.

Now they do it with content in video games. The store exclusive never bothered me. Most of the time I would just go in, get the item and leave if I didn’t like the store. Otherwise I probably shopped there already. But what they are doing to video games… THAT bothers me. It’s not a store exclusive, as in the case of a Nerf gun or Lego set, it’s actually taking a chunk of content and removing it from the game and selling it in pieces. To own the entire game you would have to buy it three or four times over, just to get all the bits.

Some would say, well they are just bits, they don’t really matter. My response is, well yes, but I am paying 60 bucks already. I deserve to have access to ALL the bits. And in some instances they even change the game! (Star Trek Online, I am looking at you.) There are valid arguments that it is a business and this is just a part of it. That’s fair. But for the same reason I buy Collector’s Editions (I want more of them) I try to avoid pre-ordering just to get a bonus. And if the person in the store asks, I will tell them. I am very vocal about the fact I think the practice is just wrong and borderline offensive to the gamers that are supporting your product to begin with.

Is there a solution? Of course, and it is very simple too. Make pre-order bonuses temporary. X game is released with x bonus at x store and y bonus at y store. Six months later, release x bonus and y bonus on the console’s downloadable program of your choice for the amount of x game’s pre-order. Ooo, isn’t that interesting? The stores get their bonus, because it is still at launch. By 6 months in, anyone who is going to buy it at your store has bought it, not to mention most of these bonuses are usually directly tied into pre-orders. People who want to support the developer and not the store can. People who don’t care can continue to not care. And I get to calm my wildly OCD desire to have a complete game.

Until a solution is implemented though, I will just keep voting with my wallet, as always.

Indiana Jones and the Quests of Uldum

That title came out much more “logical” sounding than I intended. Cataclysm brought with it 5 more levels and 5 large complex zones to gain them in. As always, controversy has sprung up around some of the content Blizzard has included. (This makes me wonder, what was the vanilla WoW equivalent?) In Wrath it was a quest that required you to torture a bad guy for information. I made my stance perfectly clear on that point. In WoW things are quite a bit more cut and dried than real life. In addition to *knowing* I was on the right side of that battle, I also had just finished a quest that had me slaughter dozens of little creatures, on top of the 73 levels worth of killing I had done to reach this point. Not to mention that he was trying to destroy the world, and you can always choose *not* to do the quest. The furor died down and then in Cata they even gave an answer to that controversy by allowing the player the option, when you have captured someone for information, you are given the option to let them go once you get it.

After reaching level 83 players are given the option to go to a zone called Uldum. Uldum has been referenced in game since the beginning, so for me, it was something of a long awaited journey for me. I really wanted to see what was in this zone. The fact that it’s art style strongly mimicked Egypt and it’s plot lines revolved around pyramids, tombs, and archeology was enticing to me. I couldn’t wait.

The lush oasis, the massive pyramids, the sky scraping obelisks, all of it just tickled my fancy. As anticipated they pulled out the well used Harrison Jones NPC (Indiana Jones) and made him the focus of about half the quests of the zone. I was shocked! No, not really. In fact I am actually a bit surprised he was only half the zone.  Anyway, you step into the role of sidekick and proceed to follow large sweeping sections of various Indiana Jones movies. They don’t even try to hide it. Plane chase where you are the gunner and shooting the tail of the plane? Check. Fighting a bald dude next to an airplane that then runs over him and kills him? Check. Artifacts? Check. Jumping into trunks (fridge) and getting blown across the area? Check. Evil dude in white hat trying to take our stuff? Check. Nazis? Check.

That last one is the one everyone is all up in arms over. Okay they aren’t real Nazis. They are goblins all following this guy named Schnotts, so they are Schnottzis. But that’s the general idea. When I encountered them, I stopped for a moment, realized I was going to be doing quests for them, was like, “Well that’s odd, I would have expected these to be Horde quest. *shrug* Oh well, what do you want me to do?” About 20 minutes later, I had destroyed the guy’s entire operation from within, freed a bunch of prisoners, and was skipping back to the north to help Indy, I mean Harrison again.

But if you read these two blogs:

http://spinksville.wordpress.com/2010/12/30/tell-me-why-i-dont-like-uldum/

http://murlocparliament.com/2011/01/05/keep-your-history-away-from-my-internet-dragons/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+MurlocParliament+%28Murloc+Parliament%29

This was a horrible horrible thing and Blizzard should be SHAMED! Wait, what?

They say that Schnotts is Hilter… which is just weird. I mean, yes, he has the little thin mustache thing, but I just assumed that was making fun of it. (It was a fashion at the time.) I always felt like Schnotts was a caricature of some commander. Bad German accents… isn’t that the joke? It would never have occurred to me to even think they were spoofing real German accents. I assumed they were spoofing the TERRIBLE German accents from those kinds of movies.  Silly puns… This is Blizzard after all, do you even remember All You Can Eat? (The achievement.) Bad puns are kind of their bread and butter for being funny.

The one author claims that this is fantasy and should not include such things. Well, yeah, but this is also the game with motorcycles, helicopters, and shotguns. They argue about history and loss of immersion. Last I checked, Indiana Jones, not exactly a history lesson. History… seriously? You think this even remotely ties to truthful history at all? Of course not! It’s just a ripoff! The author even goes on about the turkey, Gobbles… To which I am perplexed. Did I miss a reference, cause when I did the quest (both times) it seemed to me it was a setup for getting Schnotts to say Nine! repeatedly. (Which did make me chuckle.) As for immersion… Well, that’s you. Personally, I never once thought twice about it. Nazis in an Indiana Jones quest? Sure, that makes sense. Wearing a Schnottzi uniform to spread discord among the ranks? Worked for Indy, why not me? Personally it breaks my immersion every time I see “Istabyoudead” and the 50 bazillion other weird and non-fantasy names that people use. It breaks my immersion every time I do a quest like “Gather hooves from these horses.” and I managed to find the 10 horses that don’t have any hooves. Even the Desert Fox quest (where you literally go find a fox) made me giggle, though as a former history major I was well aware of the obscure reference. It’s a massively multiplayer game. The other people are going to be breaking your immersion.

(Really after reading the second blog a bit more, I am just confronted with the feeling that this person is very annoyed with WoW as a whole. The ranty style mixed with the very specific and person arguments versus other players just makes it feel like someone’s blog, much like this is mine. And I really feel it isn’t a valid source for WoWInsider to pull from to talk about the controversy of Uldum’s Indiana Jones hard on.)

Are these people overly sensitive? I don’t think so. Does that mean we should remove the quests? Again, I don’t think so. Is it going to bother a specific population (ie Jewish players)? Didn’t seem like it to the guy I asked, he thought it was pretty funny. Is it going to bother a large portion of the game? I doubt it. Most WoW players don’t even read the quest text and are likely far more annoyed by the cut scenes throughout the entire zone. (I know I was. I mean, I liked some of them, but one after every quest, REALLY?) Is it “too soon”? To spoof an action movie from the 90s? No. Does it make WoW worse? Debatable, but I also believe that open world pvp makes WoW worse. I believe Tol Barad makes WoW worse. I believe having the wrong item level number on the heroic access makes WoW worse. Everyone has their opinions and with 12 million of us, we are likely going to have every opinion covered.

They have a valid complaint. They didn’t like it. That’s fair. But, as always, no one is forcing them to do it. (I love when they complain they need to do it to get the achievement or the levels, at which point I am like, both are optional.) I despise Vashj’ir from the bottom of my cold cynical heart and yet will likely do it on every toon for the rep and gold. I hate everything about it. The water, the music, the submarine, the caves, the naga… there isn’t a single redeemable quest in the zone as far as I am concerned. Do I think it should be removed? Nope, because someone else is gonna love it.

You got your philosophy in my fantasy…

It’s always hard talking to someone about something you *love* when they don’t love it. It’s harder when they really don’t like it. As a general rule, I avoid really getting negative on things I don’t like to people I know like it. It’s why, despite my borderline psychotic hatred of Twilight, I generally don’t rant about it at work (we have at least 2 Twilight fans, so I rein it in).

Any time I get to talking about books, it always come up that I read Robert Jordan’s Wheel of Time series. A great deal of the time the person’s face squishes up and they frown. Before they can even say anything else, I laugh and say, “That’s fair.” I love Wheel of Time, but that doesn’t make me blind to it’s faults. (I swear *every* *single* *woman* in that world “sniffs” when annoyed.) Anyone who read the series and made it past book 5 has shown they are incredibly patient and has perseverance. The man wrote tomes worth of description and got far too interested in minor characters. I understand why people wouldn’t like it.

The thing that always trips me up is when I get to talking about a book I like and the other person likes and we like it for two different, and occasionally conflicting, reasons. It always happens in such a fashion that I almost stop and ask, What book were you reading?!?

I always want to talk about certain books, but invariably no one has read them. I long to find someone who has read Dennis L. McKiernan as much as I have. Or Brandon Sanderson (though I am getting pretty close on my mom for him). The irony being, when I finally *found* someone who liked Dennis McKiernan the first words out of their mouth was “Well, I liked his early work. His later stuff is just terrible and cliche.” I caught myself right before very rudely saying “What the —- is wrong with you? It’s totally the other way around!” McKiernan’s first book was originally written as a sequel to Lord of the Rings. And when the publisher couldn’t get the rights they had him re-write it *just* enough to not be Lord of the Rings. It was terrible. Entire sections were inconsistent. Not to mention that as a whole it felt very derivative of LotR without anything good to differentiate it. The later Mithgar books, after he had a few years to really feel the world and branch out… they are exceptional. He shakes loose his Tolkien roots and sprouts wings of appealing and engaging fantasy tales.

The best thing, in my opinion, is that in every book he generally interweaves some philosophical idea that ties into the main story. The ever shifting nature of good and evil. The positives and negatives of organized religion. The protection and destruction of nature. Predestination versus free will. Kings and the balance of power. Immortality, mortality, and future generations. War, peace, and the necessity of battle. Generally these are scattered throughout the book and one doesn’t think about them until later, after they have put the book down. I love it, but apparently some people hate it. He tends to do this much more in his later works, with little or none in his early works.

Add to this his truly villainous villains, stalwart heroes, range of environments, detail in the world and cultures, and non conventional plots and you have a truly wonderful series. Best of all, each book stands alone, despite having an overarching chronology and overlapping characters. (Non conventional plots – Have you ever read a story all about chasing down a specific bad guy to keep him from doing some horrible thing, only to have the heroes *fail*? It’s great! And sets the stage for the rest of the series!)

Most of the Mithgar series is currently out of print. To me, this means a decrease in the already rare number of people I meet who have read his work.  Maybe this is a good thing, considering how attached I am to the series. It also makes me wonder, what books do I rave about that other people have the same reaction to?

Bookshelves, the window to the soul…

I love books. Good, bad, wildly ugly, I love printed word. I read faster than I talk (which is really saying something as people who know me will attest to). I read something out of a book nearly every single day. I am one of those “Luddites” who will cling to my books to my dying breath despite loving my iPad and iBooks with a passion. I also have some exceptionally weird ordering schemes I use on my bookshelves. (Awesomeness/Number of Times Read/Quality/Similarity/Authors) I also have that wonderful habit of trying to read anything type written around me. More than once people have gotten pissy at me for “looking at their chest” and I am like, well then don’t have tiny words printed across it that is hard to read. More often though, people will try to engage me in conversation around a bookshelf. And unless I can identify the books by the spines (which I can on a shockingly large number of books) they will get the joy of repeating themselves, as I am likely not listening. Chances are, I am reading the titles.

As a side effect of this, I tend to know, more than most people, what books are on a shelf. When I was in college, I was waiting on a professor in their office, they had a bookshelf, and I, as always, took time to read all the titles. While every book on the shelf was academic in some form, many had *nothing* to do with what the professor taught. I then noticed something that was very telling. A huge, intricate cobweb, spanning one corner of the shelf. It was clearly ancient, and cut off a large portion of the books, showing they hadn’t been moved in a long time. When the professor got back to his desk, we talked and at the end of the meeting I asked him about one of the books. He hemmed and hawed, but was unable to actually speak on the book (I had read it). At this point I was certain that his bookshelf was just for show. He didn’t read these books.

This sparked what would become a minor hobby of mine. Looking at a bookshelf and trying to identify personalities based on the books the person chooses to show. First, a caveat, the entire system generally breaks down on shelves that are alphabetized (author or title, it ruins the theory) or that are “hidden” bookshelves, like ones in bedrooms, or what have you, that are generally not viewable by the public. I am just looking at shelves that are essentially a “public” face people are putting up. (There are always exceptions, like a very neat alphabetized shelf with dozens of classics, a few recently popular books, and then realizing that the person doesn’t read at all.)

Bookshelves, first and foremost, are generally used to make a person appear smarter. They like having a full bookshelf in their office or living room because it makes them appear more intelligent. Second they are used to hold reference. One can usually spot a “reference” shelf because there are a ton of thick books, with noticeable holes. (If you look by or on the nearby desk or table, you will find the books to fill those holes.) Any time you see holes in a bookshelf and see books stacked about the room or office, you know you are in the presence of someone who actually reads.

Third, they are used to create an appearance. Just like a nice pair of shoes, a tshirt with an image, or a hair style, a bookshelf can portray a person. Let’s use mine for example.

In my living room there are 4 bookshelves (2 book, 2 media). First, this is an excessive number. A standard living room contains 1 bookshelf and one media shelf. Or at least from my experience that is fairly average. A logical conclusion would be that I have all my books in my living room, which would be wrong, there are 4 more bookshelves in my apartment. But back to the 4 shelves in my public space. The media ones are clearly overloaded, and organized into dvd, bluray, tv series, and video games. Then alphabetized. Then beside both shelves are stacks of media, all jumbled, some still wrapped. This shows that media doesn’t get placed where ever. It has to go in it’s spot, or it doesn’t go on the shelf. The organization to it, shows a logical, sometimes ocd mind. Sometimes, because note, the media stacked to the side has no organization to it. The fact that there are “type” groups, as well as being organized shows that I tend to partition things and inherently think of things broken down into subsets.

Now, on to my books. There are books stacked all about the room. On ottomans, arms of the couch, next to the desk, in a pile on the coffee table. Dozens of “floating” books with no place on a shelf. There are two tall book shelves. The one on the right is organized with a majority of the books properly on the shelf, spine out. However, there are dozens of books stacked on their sides over the top of the books on the shelf. There are even more books stacked on their side in front of the spine out books. Also there are toys and figures, jumbled, and not well spaced. The top shelf contains a large number of Robert Jordan books, both hard back and paper back, and a majority of the Harry Potter books. The next shelf down contains Dennis L. McKiernan books, turned on their side and stacked horizontally, spines out. Then over-sized books, Penny Arcade, Sheldon, and some more hardbacks beside those. The third shelf contains another selection of paper backs, while the bottom two shelves are bowed under the weight of dozens of roleplaying books of various rulesets, intermixed with Game Development books, text books, and such. The crowded shelves show that I am a voracious reader. My ability and desire to acquire books out paces me getting rid of or purchasing new shelves.

Note, that the books placed at eye level are generally not well known. (In fact I have only ever known 2 other people who read Dennis L. McKiernan.) But they are also my favorite books. I read them at least once a year, and they are well worn and well loved. I place them specifically on that shelf because not only are they easy to access, but also easy to see. These are my “comfort blanket” books. The ones I would carry everywhere if I could. The ones that the idea of not having makes me twitchy. Then above them and below them are other well loved favorite books. Decorating the shelves are figures and toys that I have collected over the years and that I love to look at. They get jumbled though, when I move them to get to the books and never move them back.

The other shelf is a wondrous mix of dvd overflow, even more rpg books, more paperbacks, and collectibles. It’s scattered, messy, and totally me. The variation of books ranges from World of Warcraft Manga, to the Riverside edition of Shakespeare, to Mercedes Lackey, to Hawthorne. It is, at it’s best, a collection of books I love. It shows my impatience, with organization and with keeping things neat. It shows that I am comfortable with who I am, I don’t mind if you see all my favorite books. I don’t have anything to prove. You won’t find my bibles, philosophy, or Greek tragedies out there, despite the fact that I read and study those things. In fact, I am a bit of an extrovert. I *want* people to see my favorite books. I want people to ask about them and look at them. I love it when people notice I have a copy of the first Harry Potter book that is from England and as such is called Philosopher’s Stone.

How does this apply to other people’s book shelves? Many nerds/geeks have Lord of the Rings, no big stretch there. (In fact many people NOT nerds/geeks have them as well.) But is there a copy of the Silmarillion? If there is, is the binding cracked? The best part is, ask that person, “What did you think?” Some people are honest and say they haven’t read it, that they have it because it deals with the series and shelved it with it’s cousins. Some people will say something like “Oh it wasn’t too bad.” or “I liked the series better.” Busted. That’s what I think every time I hear that. They added this book to the shelf because they want people to think they read it. They feel the need for some sort of street cred that they are more of a fan than you because look, obviously they read it. (To head off confusion, nearly every single person I have ever met who actually read it responds with a wildly negative and sometimes very angry response about that book. It’s TERRIBLE. I persisted and yet only managed to read about half of it before I was in too much pain to continue. My own copy is buried in one of the back shelves because I hate it that much. Stupid book.)

Do they have a “pretty” edition of a book, but no “reading” edition of the book? I have the lovely Complete Works of Shakespeare, with thin pages, gold edging, and lovely images. Right next to several very worn copies of a few of the plays. Do they have paperbacks with no binding cracked? Let me say that this is not necessarily a bad thing, I have dozens of such books in my apartment. Generally they get purchased with the intent to read then shuffled to the side when I get something else. But these books are almost never added to my shelves in a fashion that they are easily seen. (I tend to stack paperback books with their bottom facing out, so there is a vertical stack that allows for more books per shelf.) Also, I find I like to put my Pretty Edition, or Signed Editions, on eye level. Because it isn’t just the book that I am showing off, it is the “specialness” of that copy. Though nearly all of mine have a reading edition tucked in the same shelf.

Do they have Ayn Rand? These books tend to be the line in the sand as far as a shelf that is used and loved, and a shelf that is for show. I have Anthem, spine out. You can see it. But I can also talk about it, how many times I have read it, and *why* I like it. I have a copy of Atlas Shrugged somewhere. (That should give you a clue there.) I read about half of it. Once. I haven’t tried to read it again. I am constantly amazed by people who say they love it, but can’t speak for more than a sentence or two on what it is about. My favorite experience with it was the person who had TWO copies of it. Different covers, on two different shelves and when I asked them why they liked it so much, they knew nothing about it. Then when I pointed out they had two copies… Whew, that was embarrassing.

Do they have only “quality” books? Or do they have McDonald’s books too? I once expressed to a colleague how excited I was that I was going to get to go meet R.A. Salvatore in person. His response was one of swift derision. How could anyone like that two bit hack of a writer? I laughed and replied “No, he isn’t spectacular. His work isn’t literature. But regardless, it always fills the need I have for it. It’s always enjoyable. It’s like… McDonald’s. I don’t want to eat it every day. I like good food. But sometimes, *nothing* else will do. And sometimes, you just want the comfort food of the fries.” He blinked a few times, then nodded. As if this wasn’t something he had considered. I was once in an apartment and saw the Narnia series cuddling next to Dickens next to a Magic the Gathering book. Yep, this guy was not afraid to admit that he liked pulp as well as “quality” books and was more than happy to talk about all three. This also goes for age appropriate books. Do they have Narnia? Or is it too “childish”? I was thrilled to see Susan Cooper’s series on a friends shelf recently.

Do they put “intelligent” books at eye level and try to hide the books they feel are “lesser”? There are very few exceptions to this. I mix the good and the bad. Just like I own bad movies, I own bad books. One exception I make is Julia Quinn. She writes romance novels. Roll your eyes, I’ll wait. All done? Okay. I agree. Romance novels are the *worst*. Poorly written, poorly edited, poorly planned, with terrible dialog, word choice, and plot. As a general rule, not worth the paper they are written on. I have found exactly one author of such novels that I like. That’s JQ. Her writing ability is so stellar, that I am often amazed at her turn of phrase. Her word choice gives me goosebumps. Her characters are deep, flawed, human, and yet, always manage to learn and grow as people. Her dialog is witty. Her situations range all emotions from tender to hilarious to absurd to heartbreaking. And best of all, every single one ends as it should, with a happily ever after. (Again, the McDonald’s idea, sometimes you just need a pint of Ben and Jerry’s.) But despite my fandom, and often passionate defense, I do not put her books out on my living room shelf. In part because they are too often stacked beside my bed in the piles of finished books there, but more because I don’t want someone to color their view of my books/reading habits/discussion because of their view of romance novels (which I will completely admit is spot on 99% of the time).

There are dozens of simple examples that identify if the person cares more about the appearance of the shelf or about the books it contains. Does it really matter? Not really. But I like using it as little windows to people’s true selves. The little things they tip off about themselves. And when I find a shelf I like, then I know I can strike up a conversation about it. I can talk to them about books and it won’t end in awkward silence once I realize they haven’t actually read any of their books. This can also go deeper. Is someone like me and 90% of their shelf is fiction? Or the reverse? Do they keep copies of books, or do they give them away after they have read them? Do they frequent libraries and as such only buy books they love?